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Review: Cloud Atlas

10
Posted October 28, 2012 by in Drama

Rating

Plot
95%


Acting
75%


Directing
85%


Cinematography
90%


Costume
90%


Musical Score
92%


Total Score
88%

88/ 100

What We Thought

Genre: , ,
 
Director: , ,
 
Actors: , , , , ,
 
MPAA:
 
Year: 2012
 
Runtime: 172 Minutes
 
Language: English
 
Available in 3D: No
 

What We Liked :

Successful Weaving Narrative, Tremendous Orchestral Score
 

What We Disliked:

Acting Spotty in Places, May Confuse a lot of would be admirers
 
Bottom Line

A spectacular achievement in storytelling, Cloud Atlas is one of this years most intriguing and important films.

by Max
Full Article

A collection of stories that all communicate into a greater meaning, Cloud Atlas is one of this year’s most important films. The Wachowski’s siblings and Tom Tykwer have done what many people thought was impossible, they have successfully weaved the various narratives of Cloud Atlas together into a compelling story. While the message and stories might not all be equal in regards to payoff or even being compelling, Cloud Atlas is a true innovation in storytelling.

All six of the different stories in Cloud Atlas cover different genres of film and vastly different time periods. The acclaimed novel by David Mitchell weaves the multiple stories together that include mystery, science-fiction, and historical voyages. The stories themselves are summarized as follows;

The Pacific Journal of Adam Ewing, where a young lawyer makes a life-changing 1849 voyage to a Pacific island where slavery holds sway;

Letters From Zedelghem, set in 1936, has a gifted young composer agreeing to work as amanuensis to a genius Scotland-based composer;

Half-Lives: The First Luisa Rey Mystery, takes place in 1973 and features a young journalist trying to uncover a shady nuclear power scheme;

The Ghastly Ordeal of Timothy Cavendish, 2012 England where a lucky publicist must escape from money issues that lead him to his controlled confinement;

An Orison of Sonmi-451, is a science-fiction tale set in 2144 Neo-Seoul, features a fabricant/android who beings to question her existence.

Sloosha’s Crossin’ An’ Ev’rythin’ After, is set in a 24th century after the big fall and has the future of mankind struggling to survive in this new world.

Needless to say there needed to be a lot ingenuity to make these stories meld together. Not only is it difficult to follow six different narratives, but would be extremely challenging to cast all the actors needed for all the stories. The Wachowski’s and Tykwer found their solution by casting their small pool of actors in parts in the stories. While it could be easy to confuse the stories and keep track of when that actor is play good, evil, or perhaps even a different sex; by making the actors play different parts in the stories it brings home that each of these tales is connected by a greater meaning.

When actors are asked to play so many parts there’s going to be some segments or performances that play better than others. Tom Hanks has his most vital role in Sloosha’s Crossin’ An’ Ev’rythin’ After which is reminiscent of his character in Cast Away, but also has him speaking another language for the part. The language is tremendously difficult to read in the novel and this particular story benefited the most from the film adaptation. One of the more exciting and easier to follow stories Half-Lives: The First Luisa Rey Mystery features Halle Berry’s best role in the film as a young journalist. It is a simple by the numbers mystery, but it might also be one of the most compelling stories. While there are a lot of other actors that shine in various segments, Hugo Weaving seems to love playing the villain. While his performance in An Orison of Sonmi-451 seems to have completely channeled Agent Smith from The Matrix, its his performance in The Ghastly Ordeal of Timothy Cavendish as devilish nurse that is his most memorable.

Even if the weaving of stories loses possible admirers of Cloud Atlas, there’s no denying its fantastic musical score or its collection of costumes. The highlight for the score of course is the Cloud Atlas Sextet written in the film by the young composer in Letters From Zedelghem. Not only is it vital in its own story but when the revelations are being made during the finale of each story the score brings everything together. Of course following such different genre’s there’s a large collection of costumes that needed to be created while are some are simple red cloaks like the ones seen in An Orison of Sonmi-451, the outfits worn in the period piece The Pacific Journal of Adam Ewing are of special note.

Cloud Atlas has no business being as good as it is. There’s too many narratives, way too many characters to remember, some of the performances feel like they have come straight out of a local theater production. While all those arguments are valid, Cloud Atlas has a vitally important message to share. On paper in seems as if these stories could never meet or have a connection, but Cloud Atlas is more than the conclusion of each story. It’s about the relationship between people and the endless struggle between different races and cultures. A spectacular achievement in storytelling, Cloud Atlas is one of this years most intriguing and important films.

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About the Author

Max

Chief Editor of Impassionedcinema. A film enthusiast who studies and creates his own films. Criticizing movies is his favorite pass-time.

10 Comments


  1.  

    I am so happy that it lived up to your expectation matey. I was worried for you




    •  
      impsndcnma

      Thanks for reading the review! I\’m not sure when it comes out in your territory, but go into it with a open mind and hopefully you won\’t be disappointed.




  2.  

    Sorry to say I thought parts of the film were stunning. I felt the movie was spread to thin.




    •  
      impsndcnma

      I can see where your coming from. Perhaps it could\’ve been paced better had they gone for a TV miniseries route instead?




  3.  

    Great reviews! Sounds terribly interesting, but a bit too complex, I’m very curious to see how they tie things up!




  4.  

    Interesting insight Max as I’ve been curious to read a review from someone who’s read the book. Glad to see it lives up to your expectations and I agree with you it’s a darn good film where the positives outweighs the flaws. I want to see this again on the big screen where it’s meant to be seen.




    •  
      impsndcnma

      I didn\’t get to finish the entire book mind you. I got held up at the sequence after the fall. The written language was also a chore to get through and understand.




  5.  
    Call it

    Couldn’t they use real Pacific Islanders rather than africans




    •  
      impsndcnma

      I suppose, but they were going on the quality of the acting as opposed to nationality. If you question nationality then you missed the point of the entire movie.





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